UNIT SEVEN

P76 Global Prehistory: Tlatilco and Chavín de Huantar                                       
Theme: Man and the Natural World                                        Gardners: Chapter 18
Tlatilco female figurine. Central Mexico, site of Tlatilco. 1200–900 B.C.E. Ceramic. (V: diprosopus)
Chavín de Huántar. Northern highlands, Peru. Chavín. 900–200 B.C.E. Stone (architectural complex); granite (Lanzón and sculpture); hammered gold alloy (jewelry). (V: shamanism, Smiling God, Staff God, anthropomorphic, Huánstan, mescalin, tenon heads)

P77 Maya: Tikal and Yaxchilán                                                                           
Theme: Images of Power                                                   Gardners: Chapter 18
Yaxchilán. Chiapas, Mexico. Maya. 725 C.E. Limestone (architectural complex). (V: Maya, Xibalba, roof comb, glyphs, Lady Xoc, bloodletting, Lord Shield Jaguar II, k’uh, Tlaloc, Itzamnah)

P78 Indigenous Americas before 1300
Theme: Man and the Natural World                                       Gardners: Chapter 18
Mesa Verde cliff dwellings. Montezuma County, Colorado. Ancestral Puebloan (Anasazi). 450–1300 C.E. Sandstone. (V: Ancestral Puebloan, kiva, sipapu)
Great Serpent Mound. Adams County, southern Ohio. Mississippian (Eastern Woodlands). c. 1070 C.E. Earthwork/effigy mound. (V: Mound builders, effigy mound)

P79 Aztec Art and Architecture: Tenochtitlán
Theme: Sacred Spaces and Ritual                                         Gardners: Chapter 35
Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375–1520 C.E. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone). (V: Tlaloc, Huitzilopochtli, chinampa, chacmool, tzompantli, techcatl, Tonatiuh, tecpatl, Coyolxauhqui)
Ruler’s feather headdress (probably of Motecuhzoma II). Mexica (Aztec). 1428–1520 C.E. Feathers (quetzal and cotinga) and gold. (Motecuhzoma II, amantecas, quetzal)

P80 Inka Art and Architecture: Cuzco and Machu Picchu
Theme: Images of Power                                                         Gardners: Chapter 35
City of Cusco, including Qorikancha (Inka main temple), Santo Domingo (Spanish colonial convent), and Walls at Saqsa Waman (Sacsayhuaman). Central highlands, Peru. Inka. c. 1440 C.E; convent added 1550–1650 C.E. Andesite. (V: Inka, Pachacutec, sapa, Coricancha, Inti)
Maize cobs. Inka. c. 1440–1533 C.E. Sheet metal/repoussé, metal alloys. (maize, chicha, repoussé)
City of Machu Picchu. Central highlands, Peru. Inka. c. 1450–1540 C.E. Granite (architectural complex). (V: Intihuatana, andenes)
All-T’oqapu tunic. Inka. 1450–1540 C.E. Camelid fiber and cotton. (V: camelid, acllacuna, t’oqapu, quipu)

P81 Spanish European and Colonial Art: El Greco, Velazquez, Juarez, and Cabrera
Theme: Investigating Identity                                          Gardners: Chapters 23-24
Las Meninas. Diego Velázquez. c. 1656 C.E. Oil on canvas. (V: Philip IV of Spain, La Infanta Margarita, Alcázar, Order of Santiago)
Spaniard and Indian Produce a Mestizo. Attributed to Juan Rodríguez Juárez. c. 1715 C.E. Oil on canvas. (V: casta paintings, mestizo, huipil, viceroy)
Portrait of Sor Juana Inés de la Cruz. Miguel Cabrera. c. 1750 C.E. Oil on canvas. (V: Sor Juana, St. Jerome, Jeronymite order, The Answer, escudo de monja, rosary)

P82 Art of Colonial Americas
Theme: Images of Power                                                           Gardners: Chapter 35
Frontispiece of the Codex Mendoza. Viceroyalty of New Spain. c. 1541–1542 C.E. Ink and color on paper. (V: Mexica (Aztec), Juan de Zumarraga, Tenochtitlán, frontispiece, New Fire Ceremony)
Angel with Arquebus, Asiel Timor Dei. Master of Calamarca (La Paz School). c. 17th century C.E. Oil on canvas. (V: Aspiel, arquebus, Cuzco School)
Screen with the Siege of Belgrade and hunting scene. Circle of the González Family. c. 1697–1701 C.E. Tempera and resin on wood, shell inlay. (V: biombo enconchado, Great Turkish War, Japanese lacquerware)
The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González. c. 1698 C.E. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century C.E. Oil on canvas on wood, inlaid with mother-of-pearl. (V: Virgin of Guadalupe, Juan Diego, enconchado, tilmatli, Nahuatl, Tonantzin, Tepeyac, criollo)

P83 Northwest Coast and Southwest Native Americans: Kwakiutl (Kwakwaka’wakw), Tlingit, and Pueblo
Theme: Investigating Identity                                               Gardners: Chapter 35
Transformation mask. Kwakwaka’wakw, Northwest coast of Canada. Late 19th century C.E. Wood, paint, and string. (V: Kwakwaka’wakw, potlatches, Sisuitl, hamat’sa)
Black-on-black ceramic vessel. Maria Martínez and Julian Martínez, Tewa, Puebloan, San Ildefonso Pueblo, New Mexico. c. mid-20th century C.E. Blackware ceramic. (V: San Ildefonso Pueblo, olla, black on black ware)

P84 Plains and Eastern Woodlands Native Americans: Lenape and Shoshone
Theme: Converging Cultures and Traditions                       Gardners: Chapter 35
Bandolier bag. Lenape (Delaware tribe, Eastern Woodlands). c. 1850 C.E. Beadwork on leather. (V: Lenape, wampum, bandolier bag)
Painted elk hide. Attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone, Wind River Reservation, Wyoming. c. 1890–1900 C.E. Painted elk hide. (V: Shoshone, Sun Dance, Wolf Dance)