AP ART HISTORY
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SCOPE AND SEQUENCE

unit FiVE

10/19/2019

 
P51 Buddhism: Great Stupa of Sanchi
Theme: Sacred Spaces and Rituals                                          Gardners: Chapter 15
Great Stupa at Sanchi. Madhya Pradesh, India. Buddhist; Maurya, late Sunga Dynasty. c. 300 B.C.E.–100 C.E. Stone masonry, sandstone on dome. (V: Buddhism, Buddha, Wheel of the Law, stupa, torana, anda, yakshi, harmika, chattras)

P52 Hindu Architecture and Statuary in India
Theme: Sacred Spaces and Rituals                                          Gardners: Chapter 15
Lakshmana Temple. Khajuraho, India. Hindu, Chandella Dynasty. c. 930–950 C.E Sandstone. (V: Hinduism, Vishnu, garbha griha, darshan, mandapa, sikhara, amalaka, mithunas, Mt. Meru, Yashovarman, Chandella Dynasty, nonduality)
Shiva as Lord of Dance (Nataraja). Hindu; India (Tamil Nadu), Chola Dynasty. c. 11th century C.E. Cast bronze. (V: Shiva, abhaya mudra, puja, prasada, damaru, agni, Apasmara, maya, yogi, lost wax method)

P53 Mughal Art and Architecture: Mughal Manuscripts and the Taj Mahal
Theme: Images of Power                                                        Gardners: Chapter 32
Jahangir Preferring a Sufi Shaikh to Kings. Bichitr. c. 1620 C.E. Watercolor, gold, and ink on paper. (V: Mughal empire, Jahangir, sufi, muraqqa, jama)
Taj Mahal. Agra, Uttar Pradesh, India. Masons, marble workers, mosaicists, and decorators working under the supervision of Ustad Ahmad Lahori, architect of the emperor. 1632–1653 C.E. Stone masonry and marble with inlay of precious and semiprecious stones; gardens. (V: Shah Jahan, Mumtaz Mahal, taj, cenotaphs, pietra dura, hasht bishisht, chahar bagh layout, Yamuna River)

P54 Buddhism: Jokhang Temple and Stupa at Borobudur
Theme: Sacred Spaces and Rituals                                          Gardners: Chapter 15
Jowo Rinpoche, enshrined in the Jokhang Temple. Lhasa, Tibet. Yarlung Dynasty. Believed to have been brought to Tibet in 641 C.E. Gilt metals with semiprecious stones, pearls, and paint; various offerings. (V: Songstsen Gampo, Princess Wencheng, Jowo Rinpoche, Vajrayana Buddhism, ghanta, prayer wheels, chorten)
Borobudur Temple. Central Java, Indonesia. Sailendra Dynasty. c. 750–842 C.E. Volcanic-stone masonry. (V: mandala, jatakas, sutras, Sakyamuni, siddhas, Adibuddha, three spheres of Buddhism, Suddhana, ushnisha, urna)
 
P55 Hindu and Buddhist Architecture: Angkor Wat and Angkor Thom
Theme: Images of Power                                                           Gardners: Chapter 15
Angkor, the temple of Angkor Wat, and the city of Angkor Thom, Cambodia. Hindu, Angkor Dynasty. c. 800–1400 C.E. Stone masonry, sandstone. (V: Khmer, Suryavarman II, barays, corbelling, Churning of the Sea, nagas, amrita, asuras, devas, Yama, Jayavarman VII, bodhisattva, yantra)

P56 Early Chinese Qin and Han Dynasties: Funerary Art
Theme: Death and the Afterlife                                               Gardners: Chapter 16
Jade cong. Liangzhu, China. 3300–2200 B.C.E. Carved jade. (V: jade, cong, bi disk)
Terra cotta warriors from mausoleum of the first Qin emperor of China. Qin Dynasty. c. 221–209 B.C.E. Painted terra cotta. (V: Qin Dynasty, Shi Huangdi, Legalism, fengshui, lacquer)
Funeral banner of Lady Dai (Xin Zhui). Han Dynasty, China. c. 180 B.C.E. Painted silk. (V: silk, po, hun, Hou Yi, Chang E, Taiyi, Nu Wa, auspicious, yin and yang)

P57 Buddhism: Art Along the Silk Road
Theme: Images of Power                                                           Gardners: Chapter 16
Buddha. Bamiyan, Afghanistan. Gandharan. c. 400–800 C.E. (destroyed in 2001). Cut rock with plaster and polychrome paint. (V: Silk Road, Gandharan, Theraveda Buddhism, Mahayana Buddhism, Vairocana)
Longmen caves. Luoyang, China. Tang Dynasty. 493–1127 C.E. Limestone. (Tang Dynasty, Pure Land Buddhism, Wu Zetian, arhats, lokapala, dvarapala, Sumeru)

P58 Chinese Art of the Northern Song Dynasty: Fan Kuan and Guo Xi
Theme: Man and the Natural World                                        Gardners: Chapter 16
Travelers among Mountains and Streams. Fan Kuan. c. 1000 C.E. Ink and colors on silk. (V: Northern Song Dynasty, qi (or chi), li, Daoism, Chan Buddhism, Neo-Confucianism, wu wei, seals)

P59 Chinese Yuan and Ming Dynasties: Chinese Decorative Arts and the Forbidden City
Theme: Images of Power                                                        Gardners: Chapter 33
The David Vases. Yuan Dynasty, China. 1351 C.E. White porcelain with cobalt-blue underglaze. (V: Yuan Dyansty, incense burner)
Forbidden City. Beijing, China. Ming Dynasty. 15th century C.E. and later. Stone masonry, marble, brick, wood, and ceramic tile. (V: Ming Dynasty, Yongle, Fengtian Gate, Hall of Supreme Harmony, Hall of Central Harmony, Hall of Preservation of Harmony, Palace of Earthly Tranquility, Confucianism, Spirit Road, Temple of Heaven)
 
P60 Korean Art: Art of Korea from the Silla Kingdom to the 20th Century
Theme: Objects of Wealth and Ritual                           Gardners: Chapters 16, 33
Gold and jade crown. Three Kingdoms Period, Silla Kingdom, Korea. Fifth to sixth century C.E. Metalwork. (V: Silla Kingdom, daegwan, gogok)
Portrait of Sin Sukju (1417–1475). Imperial Bureau of Painting. c. 15th century C.E. Hanging scroll (ink and color on silk). (V: Joseon Dynasty, yeongdang, gongsin)
Summer Trees. Song Su-nam. 1983 C.E. Ink on paper. (V: Oriental Ink Movement, hangukhwa)

P61 Japanese Buddhism: Temples at Nara and Ryoanji
Theme: Converging Cultures and Traditions                        Gardners: Chapter 17
Todai-ji. Nara, Japan. Various artists, including sculptors Unkei and Keikei, as well as the Kei School. 743 C.E.; rebuilt c. 1700. Bronze and wood (sculpture); wood with ceramic-tile roofing (architecture). (V: Nara period, Shintoism, kami, kondo, pagoda, Shomu, Daibutsuden, shibi, Kei school, Kamakura era)
Ryoan-ji. Kyoto, Japan. Muromachi Period, Japan. c. 1480 C.E.; current design most likely dates to the 18th century. Rock garden. (V: Zen Buddhism, shogun, samurai, karesansui, sabi, wabi, meditation, kawaramono)

P62 Japanese: Night Attack on the Sanjo Palace
Theme: Images of War and Violence                                       Gardners: Chapter 17
Night Attack on the Sanjô Palace. Kamakura Period, Japan. c. 1250–1300 C.E. Handscroll (ink and color on paper). (V: Heiji Rebellion, Taira and Minamoto clans, emaki, Fujiwara Nobuyori, Go-Shirakawa)

P63 Japanese Art: Art of the Edo Period
Theme: Man and the Natural World                                      Gardners: Chapter 34
White and Red Plum Blossoms. Ogata Korin. c. 1710–1716 C.E. Ink, watercolor, and gold leaf on paper. (V: Edo Japan, Rinpa style, chonin, tarashikomi, mokkotsu)
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji. Katsushika Hokusai. 1830– 1833 C.E. Polychrome woodblock print; ink and color on paper. (V: ukiyo-e, Mount Fuji, meishoe)

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  • Home
  • Content Area 1 Prehistory
  • Content Area 2 Ancient Mediterranean
  • Content Area 3 Early Europe and Colonial Americas
  • Content Area 4 Later Europe and Americas
  • Content Area 5 Indigenous Americas
  • Content Area 6 Africa
  • Content Area 7 West and Central Asia
  • Content Area 8 South, East, and Southeast Asia
  • Content Area 9 The Pacific
  • Content Area 10 Global Contemporary
  • Syllabus and Calendar
  • Scope and Sequence
  • INTERACTIVE NOTEBOOKS and PDF POWERPOINTS
  • DARRACOTT's BLOG