UNIT EIGHT

P85 Italian Baroque Art and Architecture
Theme: Innovation and Experimentation                             Gardners: Chapter 24
Il Gesù, including Triumph of the Name of Jesus ceiling fresco. Rome, Italy. Giacomo da Vignola, plan (architect); Giacomo della Porta, facade (architect); Giovanni Battista Gaulli, ceiling fresco (artist). Church: 16th century C.E.; facade: 1568–1584 C.E.; fresco and stucco figures: 1676–1679 C.E. Brick, marble, fresco, and stucco. (V: Baroque, Counter-Reformation, Ignatius of Loyola, Jesuits, di sotto en su, trompe l’oeil) 
Calling of Saint Matthew. Caravaggio. c. 1597–1601 C.E. Oil on canvas. (V: St. Matthew, Philip Neri, tenebrism)
San Carlo alle Quattro Fontane. Rome, Italy. Francesco Borromini (architect). 1638– 1646 C.E. Stone and stucco. (V: Trinitarians, convex, concave, undulating, Holy Spirit)
Ecstasy of Saint Teresa. Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 C.E. Marble (sculpture); stucco and gilt bronze (chapel). (V: Carmelites, St. Teresa of Avila, proscenium)

P86 Northern Baroque: Rubens and Rembrandt
Theme: Gender Roles and Relationships                                Gardners: Chapter 25
Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle. Peter Paul Rubens. 1621–1625 C.E. Oil on canvas. (V: Marie de’Medici, Henri IV, Louis XIII, Jupiter, Juno, Hymen, painterly (painting) style)
Self-Portrait with Saskia. Rembrandt van Rijn. 1636 C.E. Etching. (V: etching, hatching, crosshatching)

P87 Northern Baroque: Vermeer, Steen, and Ruysch
Theme: Domestic Life and Surroundings                               Gardners: Chapter 25
Woman Holding a Balance. Johannes Vermeer. c. 1664 C.E. Oil on canvas. (V: camera obscura, Anton van Leeuwenhoek, genre painting, Dutch capitalism)
Fruit and Insects. Rachel Ruysch. 1711 C.E. Oil on wood. (V: still life, ephemeral, vanitas painting, Frederik Ruysch, Wunderkammern)

P88 Northern Baroque: Palace of Versailles
Theme: Images of Power                                                           Gardners: Chapter 25
The Palace at Versailles. Versailles, France. Louis Le Vau and Jules Hardouin- Mansart (architects). Begun 1669 C.E. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens. (V: Louis XIV, absolutism, Andre le Notre, lever, coucher, toilette, Salon de la Guerre, Salon de la Paix, pavilions, Mansard roof, balustrade) 

P89 French Rococo: Watteau, Boucher, and Fragonard
Theme: Gender Roles and Relationships                                Gardners: Chapter 26
The Swing. Jean-Honoré Fragonard. 1767 C.E. Oil on canvas. (V: Rococo art, ancien regime, Madame de Pompadour)

P90 Age of Enlightenment: Vigee-Lebrun, Chardin, and Greuze
Theme: Gender Roles and Relationships                                Gardners: Chapter 26
Self-Portrait. Elisabeth Louise Vigée Le Brun. 1790 C.E. Oil on canvas. (V: Marie Antoinette, sentiment, sensibility)

P91 Neoclassicism: Poussin and David
Theme: Images of War and Violence                                Gardners: Chapters 25-26
The Oath of the Horatii. Jacques-Louis David. 1784 C.E. Oil on canvas. (V: Neoclassicism, French Revolution, Louis XVI, Count d’Angiviller, French Academy, Pierre Corneille’s Horace, Jacobins)

P92 Age of Enlightenment in England: Hogarth and Wright of Derby
Theme: Class and Society                                                  Gardners: Chapters 25-26
The Tête à Tête, from Marriage à la Mode. William Hogarth. c. 1743 C.E. Oil on canvas. (V: satire)
A Philosopher Giving a Lecture on the Orrery. Joseph Wright of Derby. c. 1763–1765 C.E. Oil on canvas. (V: Enlightenment, Lunar Society, orrery, Industrial Revolution)

P93 Neoclassicism in Britain, France, and the United States
Theme: Humanism and the Classical Tradition                     Gardners: Chapter 26
Monticello. Virginia, U.S. Thomas Jefferson (architect). 1768–1809 C.E. Brick, glass, stone, and wood. (V: Federal Style, Palladio’s Four Books of Architecture, agrarian) 
George Washington. Jean-Antoine Houdon. 1788–1792 C.E. Marble. (V: American Revolutionary War, Cincinnatus, fasces)

P94 Romanticism: Goya, Géricault, and Delacroix
Theme: Humanism and the Classical Tradition                    Gardners: Chapter 27
Y no hai remedio (And There’s Nothing to Be Done), from Los Desastres de la Guerra (The Disasters of War), plate 15. Francisco de Goya. 1810–1823 C.E. (published 1863). Etching, drypoint, burin, and burnishing. (V: Romanticism, Peninsular War, Napoleon Bonaparte, Joseph Bonaparte, Ferdinand VII)
Liberty Leading the People. Eugène Delacroix. 1830 C.E. Oil on canvas. (July Revolution, Charles X, Louis-Philippe, Phrygian cap, tricouleur, Venus de Milo, bourgeois)
 
P95 Romanticism: Turner and Constable
Theme: Man and the Natural World                                      Gardners: Chapter 27
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). Joseph Mallord William Turner. 1840 C.E. Oil on canvas. (V: abolitionists, Zong, impasto)
 
P96 Romanticism in America: Cole and Velasco
Theme: Man and the Natural World                                      Gardners: Chapter 27
The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm). Thomas Cole. 1836 C.E. Oil on canvas. (V: Hudson River School, manifest destiny, Arcadia, Transcendentalists, William Cullen Bryant)
The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel). Jose María Velasco. 1882 C.E. Oil on canvas. (V: Lake Texcoco, Popocatepetl and Iztacchihuatl volcanoes, 1821 War of Independence, López de Santa Anna, Eugenio Landesio)

P97 Realism: Courbet and Daumier
Theme: Class and Society                                                       Gardners: Chapter 27
The Stone Breakers. Gustave Courbet. 1849 C.E. (destroyed in 1945). Oil on canvas. (V: Realism, palette knife, Socialism, Revolution of 1848, Karl Marx, Pierre-Joseph Proudhon, positivism)

P98 Neoclassicism and Realism: Ingres and Manet
Theme: Gender Roles and Relationships                              Gardners: Chapter 27
La Grande Odalisque. Jean-Auguste-Dominique Ingres. 1814 C.E. Oil on canvas. (V: odalisque, male gaze)
Olympia. Édouard Manet. 1863 C.E. Oil on canvas. (V: Victorine Meurent, demimonde, Salon, Salon des Refusés, Charles Baudelaire, Emile Zola)